To begin with an admission that will seem astounding to regular readers of this site: I was more stirred by the opening scene of M.S. Dhoni: The Untold Story, set in the Wankhede Stadium during the 2011 World Cup final, than I had been by the actual match five years earlier.The main reason for this is that my love affair with cricket ended a decade ago, occasioned partly by the ugly, fair-weather displays of nationalism-jingoism associated with the sport (one example being a crowd attacking MS Dhonis Ranchi house in 2007). As one of the very few people in the country who didnt much care when the real Dhoni hit that winning six on April 2, 2011, I was unprepared for my reaction - the adrenaline rush, the growing anticipation - when I watched Sushant Singh Rajput as Dhoni in the dressing room deciding to go in at No. 5, padding up and heading out into the deafening arena. Call it the power of a tense, tightly constructed scene that uses camerawork, space and sound effectively, or a sudden burst of nostalgia for a once-loved sport.In other words, M.S. Dhoni: The Untold Story begins on a rabble-rousing note. But after this World Cup scene (which Neeraj Pandeys film will, of course, return to at the end), the narrative backtracks to a quiet afternoon in July 1981 and Dhonis birth in a Ranchi hospital ward, while his father Paan Singh Dhoni (Anupam Kher), a hard-working lower-middle-class man, waits nervously outside. A series of well-constructed vignettes follows: Dhoni as a boy being coerced by a coach to give up football for cricket, and to take up wicketkeeping (though he prefers batting); the support of his friends as it becomes evident that he has special talent and drive; the misgivings of his father, who has sensibly conservative ideas about what constitutes a secure future; repeated frustrations followed by a job in the Railways and the possibility of becoming a bada aadmi (Ticket collector se badi cheez kya ho sakti hai? as Paan Singh puts it [What can be bigger than a ticket collector?]).Rajput portrayal of Dhoni starts from when he is 16, and these early scenes have a slightly off-kilter quality - as if the actors head has been digitally superimposed on a slim teen body - but that doesnt matter after a while, because this is a fine performance. Rajput captures not just Dhonis boyish exuberance and the enigmatic smile that stops just short of being cocky, but also something of the placid, Buddha-like inscrutability that emerges in moments of stress; a sense that he is calling on inner reserves only he knows about. This is a convincing portrait of a young man who can be impetuous but is also grounded enough to buy snacks for his friends as a sort of celebration after not being selected for a team - because he never wants to forget this day of failure.The films first half, with its depiction of the rhythms of small-town life, is a reminder that director Pandey has a feel for place and period (see his recreation of 1980s Delhi in the con-job film Special 26). There are many engaging little moments, such as an early encounter, in a Bihar-Punjab match, between Dhoni and future team-mate Yuvraj Singh (played here by Herri Tangri as a regal kid whose very presence leaves most people awestruck). The cricket scenes are shot with panache and wit, even when they centre on a deadpan hero. The stage also gradually shifts to show us officials in the sports higher echelons in Mumbai and Delhi pulling strings and deciding the fate of thousands of struggling youngsters around the country.In the second half, a tonal unevenness sets in, and to a degree this is understandable given the arc of Dhonis life. It seemed natural that the early scenes would have the texture of a gritty, understated small-town story about aspiration, the sort that Hindi cinema often does so well now (in another such film, Kai Po Che! (2013), Rajput played a character whose cricketing dreams dont pan out). But once Dhoni gets his chance in the Indian team, he rises to stardom fairly quickly, and as more glamorous locations take over - plush hotel rooms, advertising studios where he says cheesy lines while endorsing a range of products - the films look and pace alter as well; it becomes glossier, more languid.That in itself is not a problem, but around this time, M.S. Dhoni: The Untold Story also becomes looser, more random, and whimsical in its decisions about what to show and what to leave out (there isnt even a scene that shows the circumstances that led to Dhoni becoming captain) - and when this happens, one recalls that this is largely an authorised project, with the real-life Dhoni and his associates having been consulted and kept abreast of the script. There are two romantic interludes - the first involving a girl named Priyanka (Disha Patani), who dies in a car crash, then with the cricket-indifferent Sakshi (Kiara Advani), who goes on to become Dhonis wife - that feel much too generic given how the film has unfolded up to then. This section includes an exotic-location song sequence, superfluous flashback inserts, and embarrassingly forced attempts to generate pathos (wondering about their future together, Priyanka dolefully repeats the line Bahut time hai naa hamaaray paas? [We have plenty of time, dont we?] as if she were aware of her own impending fate). Briefly glimpsed in these scenes is the suggestion that a man who is assertive as batsman and captain might be defensive-passive when it comes to relationships, but the film doesnt take this idea anywhere. The two-woman trope is handled better here than in the recent, utterly lacklustre Mohammad Azharuddin biopic Azhar, but that isnt saying much. (The goofy climactic scene of that film had the wronged Azhar being vindicated when his two wives walk into the courtroom side by side to support him and provide the ultimate character certificate!)These sequences notwithstanding, the film builds unerringly towards that World Cup win, which is presented here as the culmination of a remarkable career (never mind that real-life sport doesnt usually provide such tidy or definitive endings - Dhoni did, after all, also captain India in their 2015 loss, but there isnt space here for such troughs). Ending with real footage of the post-match celebrations is a guaranteed way of having the audience out of their seats and applauding; as mentioned above, I was one of those viewers.In the final analysis, the film worked best when it did the small moment well. In one notable scene, a subdued Dhoni explains why he is so frustrated by his Railways job - not because he considers it below him (Kaam chhota nahin lagta [I dont think the work is small], he says) but because it doesnt allow him to give cricket enough time and attention. This nuanced scene comes as a refreshing counterpoint to a shoe-polish ad that the real Dhoni did a long time ago, where he turned to the camera and said, I decided not to be ordinary. I chose to shine. A good, smooth line for the product, but also one that seemed to condescendingly imply that people in some professions can be dismissed as ordinary and that real winners can simply choose to reach the top through hard work and perseverance.M.S. Dhoni: The Untold Story is a bumpy film, very stimulating in its good parts, oddly inert at other times, but in its better moments - like that Kaam chhota nahin lagta scene - it ducks the grand, overarching narratives and gives us a ground-level story about a young man following a calling with the knowledge that things might not work out perfectly, but that he has to at least give it a shot, he cant die wondering. Thats a compelling tale in itself, and a more inspirational one in some ways than the one hinted at in the films more triumphal scenes - the ones about a blazing star who was so good and so determined that he was destined to reach the top no matter what, and who might well have had that World Cup-winning six inscribed on his horoscope.Have you watched M.S. Dhoni: The Untold Story? Share your thoughts on the movie by mailing us at fanfare@cricinfo.com. 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KWaun Williams Super Bowl Jersey . -- Stanford squashed Oregons national championship hopes again, schooling the Ducks in power football. RIO DE JANEIRO -- Glenn Hoags players surrounded him on the court in celebration Saturday, moments after another memorable Olympic victory for Canada.The tradition began during an Olympic qualifier two months ago in Tokyo, where the Canadians claimed the last berth in Brazil, and has been happening ever since.It just kind of happened naturally. We had this circle and Glenn looked over and ran in and yelled, John Gordon Perrin said. Every time we win now we do the same thing. Its kind of a little energy booster and a ritual for us.It will be over the coming months, and even years, that Hoag and son Nick will truly reflect on what they accomplished by bringing Canadian volleyball back to the Olympic stage after more than two decades.Being the last team into the tournament, the Canadians knew just how tough it would be to advance from the group stage. Then they shocked the Americans in straight sets in their opener.Listen, Canadas good, U.S. coach John Speraw said emphatically. News flash for everybody here, the Canadians are really good.Canada hadnt been to an Olympics in mens volleyball since the 1992 Barcelona Games, and earned the final spot in the 12-team field at a last-ditch qualifier two months ago.Now, Hoag is making his final hurrah as coach with the whole world watching and taking notice how far the country has come to close the gap with the worlds power programs.For father and son, this time means so much even as they try to push any emotions to the side and stay in the quarterfinal race -- and Canada did its part with a straight-set win over Mexico at Maracanazinho arena. The Canadians face a tough test from Italy on Monday.Its been a dream of mine, nothing Ive wanted more in my life since I started playing volleyball, so its something thats very special and being here with Glenn is even more special, Nick said, because, who knows, maybe Ill be here in four years, maybe I wont.Nick -- formally Nicholas -- is the youngest of Hoags two sons, and the youngest on the Canadian team by eight months. He has his sights on leading this group to another Olympics four years down the road in TTokyo after his father has handed off the clipboard to a new coach.ddddddddddddMiddle blocker Rudy Verhoeff has taken time to ponder and appreciate Hoags role in reinventing, reinvigorating Canadian volleyball from the ground up while preparing to leave the program in such a positive place.Its crossed my mind once or twice this week, yeah, for sure, Verhoeff said.Nick would love nothing more than for the Canadians to still be playing by his 24th birthday on Aug. 19. Hes not getting ahead of himself.When Hoag took over as Canada coach 10 years ago, he set the tone from the start. From development and a training center in Gatineau, Quebec, to embracing ever-changing technology and ways to give the Canadians even the slightest edge.He had a plan for the national team: His players must either buy in or head out. Hoag sought to build a culture that was committed to developing players from the lowest levels all the way up to the senior squad.I was really proud of them in Japan when they qualified because I thought they really deserved it, and many other guys that are not here deserved it just for the effort, and the smart effort, Hoag said. To be able to reach our level we needed to be able to think smart, to play smart, to be considerate toward each other, to push each other, so that was my mindset when I came to the games.We got here, and youre never sure of anything. But when you put things in place and you take a group of guys like this who work for it, then its a nice gift, a nice accomplishment for the group. Thats how I feel.Hoag never considered walking away when Canada failed to qualify for London four years ago, determined to stick it out over the long haul and through the tough times.It would have been pretty easy for him to say, `OK, I did my best, I tried, but he believed in what we had going, Verhoeff said. Hes been the pioneer, hes been the captain of the ship. Hes been there before when he was back playing. He knew what it took and it was a long process. ' ' '